The event at the Metropolitan Museum of Art marked the clearest signal yet that Estuary Realism has moved beyond critical circles into mainstream cultural production. Designers presented waterproof-as-couture silhouettes, structural references to terminal canopy geometry, and ferry-worker layering as serious fashion statements rather than novelty. Bay Area workwear-origin brands, some tracing their roots to Ferry Building market stalls, reported renewed commercial interest in the days following. The night's most discussed image was not a franchise tie-in or a legacy house callback. It was a garment that looked like it could survive a crossing.